BMC® and Feldenkrais® Methods
“Articulating… range, mobility and stability of the lower limbs”
Workshop di anatomia esperienziale
At Art Therapy Italiana
Via Barberia 13 – Bologna
Thursday, May 7
Time: 3:00 PM – 5:30 PM
Led by Paola Campagna and Maria Cristina Di Tommaso
For information:
Email: campagnapa@gmail.com
Tel: 349 57 18 082
This seminar is part of a series of meetings held periodically.
On this occasion, we will explore and experience—through the integration of somatic practices (Feldenkrais®, Dance Movement Therapy, Body-Mind Centering)—how the organs, the structural components (bones, muscles, ligaments), and the energetic aspects relate to one another and how they are expressed in movement dynamics.
We will also bring attention to the relationship we have developed over time with these parts of the body, discovering their psychological aspects as well, through both guided and free movement. Imagination and creativity will be essential elements that, through renewed awareness, will make the act of dancing a unique and unrepeatable expression of an individual or a group in a specific moment.
Being in contact with our deeper structures enhances our sense of presence—an essential foundation for the act of dancing and for a full experience of living, of which movement is the most powerful expression.
Facilitators:
CRISTINA DI TOMMASO
Physical education teacher, Feldenkrais® practitioner, and Dance Movement Therapist. For over thirty years she has worked with the creative process through movement to support well-being and relationships with others. This guiding thread continues in her training, her postural gymnastics classes, and her dance movement therapy sessions.
PAOLA CAMPAGNA
Performer, dancer, and choreographer (Contemporary Dance, Argentine Tango), dance therapist and BMC® somatic movement educator. For years she has pursued research on dance movement across different contexts. Her work focuses on the complex theme of improvisation, evolving over time through the intersection of clinical and artistic fields, which enrich each other in the development of a “thinking in movement” approach to human expression.
